Acme Bookbinding Logo
 
 
  News |  Products |  Ordering |  Contact Us |  Forums |  Forms |  Resources |  Jobs |  About
Machinery For Sale
 
 
April, 2002
Sun Mon Tue Wed Thu Fri Sat
  1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30  
Mar  May

Sulkin Company

HarcourtBindery

Library Portals

Library E-Pubs

Publishing Links

Conservation
& Preservation

Book Arts

 

Acme Book News

Wednesday, April 24, 2002 Day Link Icon
E-books -- they keep trying 
Forget Laptops, the Folding Screen Lands in Korea
A new paperback-sized computer screen that folds like a book will be ideal for Internet users reading online novels, its South Korean inventor said on Tuesday.

The 6.7 inch by 5 inch flat LCD screen folds along a central hinge and is much clearer than existing devices, display maker Samsung SDI said. [read more]

International eBook Association Launched in Europe

Microsoft Corp. today announced the launch of the International eBook Association (IeBA), a new eBook organization based in Europe that will support the worldwide eBook community and promote the growing opportunities and promise of eBooks.

The new association follows the pioneering work done by the International eBook Award Foundation (IeBAF), which will cease operations at the end of the month. While the new International eBook Association plans to announce its own set of eBook awards, the focus of the new association¼s work will be to address critical issues facing the electronic publishing community. Its principal goal will be to facilitate and accelerate the adoption of eBooks. [read more]

Digital Imaging 
TASI -- Technical Advisory Service for Images
What is TASI?

The Technical Advisory Service for Images is a service that has been set up to provide advice and guidance to the Further and Higher Education community on the issues of creating, delivering and using digital images together with managing digitisation projects.

The objectives of TASI are:

  • To encourage the creation of high quality digital image collections
  • To promote good practice in the creation, delivery and use of digital images and in the management of digitisation projects
  • To promote and support the use of standards within digitisation projects
  • To promote technical expertise within the FE/HE community by providing advice, guidance, support, training and consultancy
  • To encourage networking and the building of an imaging community within FE and HE


Monday, April 22, 2002 Day Link Icon
History of the Book 
History of Books and Printing: A Research Guide
The New York Public Library has a world renowned collection of physical artifacts documenting the historical development of written forms of communication. While the General Research Division has a long standing tradition of collecting supporting material in the book arts that traces the evolution of the book and its production, the Division also concerns itself with the material that describes the intellectual, economic, and cultural impact of this evolution on the surrounding society. At present, the format and transmission of text is in the greatest period of flux since the invention of movable type and printing. At the same time, the study of the history of books is achieving legitimacy as a multi-disciplinary scholarly pursuit. The following guide will attempt to provide direction to the appropriate source material within the Division.
The Future of the Book 
The New Age of the Book by Robert Darnton
... Consider the book. It has extraordinary staying power. Ever since the invention of the codex in the third or fourth century AD, it has proven to be a marvelous machineãgreat for packaging information, convenient to thumb through, comfortable to curl up with, superb for storage, and remarkably resistant to damage. It does not need to be upgraded or downloaded, accessed or booted, plugged into circuits or extracted from webs. Its design makes it a delight to the eye. Its shape makes it a pleasure to hold in the hand. And its handiness has made it the basic tool of learning for thousands of years, even before the library of Alexandria was founded early in the fourth century BC. [read more]

E-Books: An Idea Whose Time Hasn't Come by David D. Kirkpatrick

In October 2000, Dick Brass, a vice president of Microsoft in charge of its efforts to promote electronic books, presided over the first annual Frankfurt eBook Awards, held at an opera house in Frankfurt. Financed mainly by Microsoft, the awards presented prizes of up to $50,000 to winning authors of books available in digital form.

"Someday, when electronic books replace print, these will just be called the book awards," Mr. Brass said in an interview then.

But the managers of the National Book Awards can rest easy for now. So far, demand for reading the texts of books on computer screens has been tepid at best, and last week the International eBook Award Foundation discontinued the awards and suspended its activities. "It has become increasingly difficult to raise the necessary funding," Alberto Vitale, the foundation's chairman, said in a statement. That is, Microsoft stopped paying. [read more]

(link via The Shifted Librarian)

"Free Mickey" 
Copyright law vs. innovation by Doug Bedell
Stanford law professor Lawrence Lessig is waging a lonely fight to free Mickey Mouse.

Most of his audience last month at the SXSW Interactive Festival had no idea Mickey had even been trapped. But by the time Lessig finished with a 90-minute multimedia presentation on the future of copyright and intellectual property, images of the world-famous cartoon character behind bars were indelibly etched on their collective psyche.

Lessig repeatedly flashed images of the imprisoned rodent onto a nearby video screen to make his point: Corporations such as Walt Disney Co. have successfully pressed for extensions of copyright powers far beyond the intent of the Constitution's framers.

As a result, the ability of the Internet to provide the building blocks for innovation has been shackled, and the creative process that allowed Walt Disney to build his cartoon dynasty has been snuffed, Lessig said. Unless copyright laws are dramatically altered, Lessig told the Austin Convention Center audience, "There will be nobody who can do what Disney did, ever again." [read more]



Friday, April 19, 2002 Day Link Icon
Sadly, another one bites the dust 
Rocky Mountain Low: Colorado Springs Indie to Close by Edward Nawotka
McKinzey-White Booksellers, the 19-year-old Colorado Springs bookstore, will close at the end of June. Twenty employees--six full timers, 14 part-timers--will be laid off.

Owner Karen Bauder blamed burgeoning competition from the chains and other retailers for the store's demise. She told PW Daily, "It was a downward cycle that began four years ago when B&N and Borders moved in and opened within three blocks of us. Then a Media Play opened across the street. Plus, a Wal-Mart behind us also sold books and Sam's Club opened down the street." She said that within a year of the chains opening, McKinzey-White lost 50% of its business and was never able to recover. "It sort of stunned me. I just couldn't win, there's just no way," she said. [read more]

Do yourself and your community a favor -- search out and support a local independent bookstore.

Are books too expensive? 
Who's Responsible For High Book Prices? by Dennis Loy Johnson
Why are book prices so high? Not just new hardcovers, which are mostly hovering -- for another five minutes or so -- just below $30. But have you noticed that even paperbacks, the thing that revolutionized the book business once-upon-a-time by virtue of being affordable, are now just as over-priced as everything else?

And prices climb so steadily you can see it happening from season to season. You don't have to read trade reports to know that there's a wide-spread belief in the book industry that "consumers" don't see much difference between, say, a $25.95 book and a $26.95 book, or even a $27.95 book of that matter. As if they didn't have us over a barrel. As if there was something we could do about it. (And as if there were any logic at all to a system that believes a dollar or two means nothing, but the difference between $26.95 and $27 will send people running out the door screaming.)

Then there are those ludicrous advances making the news more and more regularly -- just this past week, "Cold Mountain" author Charles Frazier got $8 million out of Random House for a one-page description of an idea he's got for a second novel. An 'idea.'

Is it any wonder books are so expensive? And is there any question whose fault it is? [read more]

What's it worth? 
Placing value on Information by Audrey Fenner
Society regards information as a commodity and the possession of it as an asset. Economists would like to account for information in the same way as physical assets, but no discipline has given us an accepted model for such treatment. Disciplines regard information differently, and it is more difficult to develop systems to measure information than physical commodities. The price system has been used to assign value to information, but does it provide the best means? Can librarians plan for the future, justifying increasing expenditures to their funding agencies, in the absence of a meaningful information measurement scheme? [read more]
Tough act to follow 
After Oprah by Laura Miller
Since Oprah Winfrey announced two weeks ago that she's ending her television book club, some new players have stepped up to the plate hoping to beat her record in swatting authors onto the bestseller lists. USA Today has announced the launch of a book discussion that will take place both in its Life section and on its Web site, and in June the "Today" show will begin a club in which popular authors will invite viewers to read the works of "undiscovered" writers.

Both media outlets have sizable audiences, but it's hard to imagine either one matching Winfrey's influence on book buyers. Her power to bump up a book's sales figures by as much as a million copies (at the peak of her club's popularity) tended to confuse observers about the nature of the club itself. Despite its use of the broadcast medium, the Oprah Book Club worked according to an old-fashioned principle. Publishing savants have long known that word of mouth is the most effective way to sell lots of books, especially when those books are novels. The people who spend their money on fiction are mostly women, and most of them tend to try out new books and authors on the recommendations of trusted friends or booksellers.

Winfrey's book club represented a kind of supercharged word of mouth: In her case, the mouth reached 7 million ears daily. ... [read more]


 


 
   
  Copyright ©1998-2009, Acme Bookbinding.
Last update: Tue, 01 May 2012 22:10:02 GMT.
Email: webmaster@acmebook.com